Juxtapoz Magazine

On January 15, 1941 French composer Olivier Messiaen premiered his seminal work “Quartet for the End of Time” within the confines of Stalag VIII-A, a Nazi prisoner-of-war camp in Silesian Germany. The ensemble (clarinet, violin, cello, and piano) played upon broken instruments in front of an audience comprised of his fellow prisoners and prison guards in the brutal cold. 

On Friday February 5th, 75 years after this premiere performance, Anno Domini Gallery presents a Messiaen-inspired exhibition of new paintings by renown artist Barron Storey entitled “Quartet” and three performances entitled “End of Time” by Cellista (Freya Seeburger) and her Juxtapositions Chamber Ensemble.

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Ferlinghetti at City Lights Texture for a Poet

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End of Time MetroActive