“In a region known for disrupting the status quo, Cellista is celebrating the legacy of the original disruptors.”

—Andrew Gilbert, San Jose Mercury News

Cellista

Cellist • Aerialist • Composer • Performer

Las Vegas, NV

Cellista is a Las Vegas–based aerial cellist and composer, widely recognized as the first artist to develop a sustained touring practice of performing original works for cello in the air on static trapeze and other aerial apparatus.

Her narrative multimedia “stage poems” merge surrealism, political inquiry, and genre-defying performance. She toured her self-produced and directed one-woman aerial cello work Élégie nationally and in the UK from 2023–24 to critical acclaim. In 2021, she premiered original compositions at Lincoln Center in collaboration with the New York Philharmonic and the Howard Zinn Education Committee.

Her interdisciplinary exhibition The End of Time, created alongside visual artist Barron Storey, and her immersive stage poem Pariah further established her as a boundary-crossing voice in contemporary performance.

She performed in a custom production at the Mayfair Supper Club at the Bellagio. Cellista has toured internationally, contributed music to film and television, and appeared on projects including Will & Grace and Better Things. A former chapter governor of the Recording Academy and San Jose arts commissioner, she holds a master’s degree from Berklee College of Music and is the founding artistic director of House of Cellista, a micro-arts center supporting artists and affordable housing initiatives.

Featured Stage Poem

Élégie

A stage poem about serenity

A one-hour stage poem starring Cellista as Élégie, a blackbird who shape shifts into human form and back. 

Watching Cellista find new relationships with the instrument she has already spent so much time with has been inspiring to me as a director. It takes patience and courage to change patterns we are used to performing with. Cellista is brave enough to connect elements that you would not expect to be seen together.
— Joel Baker, director.
Cellista is a unique artist. She pools her diverse talents together to combine into a captivating whole. From music to circus to visual art and the crafted word, Élégie is a full package experience, a feast for the audience.
— Elsie Smith, founder of NECCA, Nimble Arts and Gemini Trapeze
She gave me quotes to put around the emptiness. She gave me context. And subtext. And reflex-tions of what has now filled the void.
— Gary Singh, journalist and poet
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Noise Journal-Mike D

“On May 31, Cellista from San Jose, California, published her new stunning “Transfigurations” album, a record which at the end of the year shall be easily included not only in my own best-of lists but in other music journalists similar articles. A woman with a cello who plays alternative music is usually deemed in the dark alternative rock wildwoods, gothic oriented musings, or metal. Cellista is way more different than that, actually, she comes from a completely different music galaxy which is her own trademark vision and her own musical narration.“

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Spill Magazine-Album Premier

Today we are pleased to present the premiere of Transfigurations from California-based experimental artist Cellista. We should clarify that this is not a solo project – it is a very collaborative multi initiative spearheaded by Cellista herself and involving dozens of other artists. Impressive effort!

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The Big Takeover -Kevin Burke

“I have to pay dues to Cellista, her forthcoming album Transfigurations has proved there is something else worth discovering away from the mainstream. Classical-based punk and hip-hop, wrapped in a gothic string section that causes hypnotic effects to the listener. In a nutshell that is what this release Transfigurations presents in a tour de force of styles.”

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Blues Bunny

“I doubt that I am alone in regarding the cello as being the most elegant of musical instruments. Its place in amongst words of social concern does not, however, seem an obvious one so would “Transfigurations” by Cellista demonstrate its value by classical precision?

As albums go, “Transfigurations” is a difficult one to classify. Over the duration of the album, there are certainly more than enough oblique touches to justify an avantgarde tag yet the reliance on looped samples pulled from sources of historical value might suggest that the approval of the intelligentsia was perhaps not Cellista’s only motivation. It cannot be denied, however, that there is much in the way of musical skills on show and it is commendable that Cellista leads her cohorts courageously along some distinctly twisted musical roads that lead the listener away from main street accessibility towards the deserted highway of arthouse soundtrack cues. “Repetitions” is a prime example of this approach.”

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Jammerzine-Video Premiere-Ryan Martin

Who would have thought that a cellist and a hip hop artist could meld into one musically? That is exactly what you get with this artistic melting pot via Cellista and DEM ONE in the form of the song titled ‘Look Homeward, Angel’ from her upcoming album ‘Transfigurations’. A perfectly rough and raw fusion of classical ambiance and lyrical defiance beautifully wrapped and melded into a stern beat and lush overtone. The video continues the mood via a seemingly impromptu performance art in an avant-garde fashion which, instead of the song being the soundtrack, the video becomes the ‘sitetrack’. Well done!

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Metroactive-Mike Huguenor

“Cellista Reveals ‘Transfigurations’ at Anno Domini. Written and recorded over the last two years, Transfigurations is the latest effort from San Jose experimental musician Cellista, a.k.a. Freya Seeburger. Though cello is the album’s primary instrument, Transfigurations would best be described as a sort of avant-pop, comprising elements of classical, found sound, trap, modern composition and noise. It is clear-eyed, and it is apocalyptic. The message, unmistakably sent across the album’s eleven tracks: that the Bay Area has reached a point of no return.”

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